Bass Lines are often-overlooked yet essential components of some of the most iconic songs in music history can be akin to discovering hidden treasures within the vast sonic landscape.
The Bass Lines in these tracks, meticulously crafted, transcend genres and captivate audiences, infusing life and rhythm into each composition. From the grooves of funk to the steady pulse of rock, the bass guitar plays a pivotal role in defining a song’s identity and driving its melody. Join us as we delve into the stories behind some of the most unforgettable Bass Lines—those rhythmic foundations that have become an indelible part of our musical consciousness.

The Best Bass Lines in Song History: A Facebook Poll
“Under Pressure” by Queen & David Bowie (1981)
This legendary collaboration brought together the iconic styles of Queen and David Bowie, resulting in the timeless track “Under Pressure.” The song’s distinctive Bass Line, played by Queen’s John Deacon, is instantly recognizable and has become a defining feature of the track. The interplay between the bass and the iconic vocal lines creates a tension and release that enhances the song’s emotional impact. Melding rock and pop, “Under Pressure” climbed to #29 on the Billboard Hot 100, leaving a lasting legacy across multiple genres and continuing to be a staple in both artists‘ repertoires.
“Papa Was A Rolling Stone” by The Temptations (1972)
The Temptations delivered a soulful epic with “Papa Was A Rolling Stone,” a track known for its intricate and immersive instrumentation. The song’s Bass Line, performed by Motown legend James Jamerson, sets a haunting and groovy tone, contributing significantly to the song’s narrative depth. The prolonged instrumental introduction, featuring the Bass Line, sets the mood for the story of a troubled family and a philandering father. This track not only soared to #1 on both the Billboard Hot 100 and R&B Singles charts but also won three Grammy Awards, including Best R&B Vocal Performance by a Duo, Group or Chorus.
“Good Times” by Chic (1979)
Chic’s “Good Times” is a disco anthem that remains a cornerstone of the genre. The song’s iconic Bass Line, played by Bernard Edwards, is instantly recognizable and has been extensively sampled in various music genres, most notably in hip-hop tracks like “Rapper’s Delight” by The Sugarhill Gang. The groove and rhythm of “Good Times” not only defined the disco era but also transcended it, reaching #1 on the Billboard Hot 100 and influencing generations of musicians and producers. The Bass Line’s syncopation and melodic approach make it a masterclass in funk and disco bass playing, cementing its place in music history.
“Before I Let Go” by Maze (1981)
Before I Let Go” by Maze, featuring Frankie Beverly, is a soulful classic known for its smooth and groovy Bass Line. The song’s infectious rhythm and feel-good vibe have made it a staple at parties, weddings, and other celebrations. The Bass Line, played by Robin Duhe, provides a rich foundation that complements Beverly’s silky vocals and the song’s upbeat, yet relaxed, tempo. Although it didn’t chart highly on the Billboard Hot 100, it has become an enduring anthem in the R&B and soul communities, known for its ability to bring people together on the dance floor.
“Too Hot” by Kool & the Gang (1980)
Kool & the Gang’s “Too Hot” offers a smooth R&B vibe, highlighted by Robert “Kool” Bell’s melodic Bass Line. The track’s sultry rhythm, paired with lyrics about a relationship that has grown too intense, helped it reach #5 on the Billboard Hot 100. The Bass Line’s smooth, sliding notes add a layer of sophistication and groove, showcasing the band’s ability to blend elements of jazz, funk, and soul into a cohesive and appealing sound. “Too Hot” is a prime example of Kool & the Gang’s transition from a purely funk band to a more versatile R&B and pop ensemble.
“Don’t Look Any Further” by Dennis Edwards (1984)
Featuring Dennis Edwards’ powerful vocals, “Don’t Look Any Further” is a standout ballad that owes much of its appeal to the underlying bass groove. Nathan East’s skillful playing adds depth to the track, which peaked at #2 on the R&B charts. The Bass Line’s laid-back yet pronounced presence anchors the song’s reggae-tinged beat, providing a steady rhythm that complements Edwards’ soulful delivery and the song’s haunting chorus. The song’s iconic Bass Line and melody have been sampled in numerous hip-hop tracks, demonstrating its lasting influence.
“Dreams” by Fleetwood Mac (1977)
Fleetwood Mac’s “Dreams” is a quintessential rock ballad, known for its ethereal soundscapes. John McVie’s subtle yet effective Bass Line underpins the song’s dreamy atmosphere, helping it secure the #1 spot on the Billboard Hot 100. The Bass Line, while understated, plays a crucial role in the song’s overall texture, adding depth and a steady pulse that supports Stevie Nicks’ ethereal vocals. The song’s lyrics, reflecting on the end of a relationship, combined with its smooth instrumental arrangement, make “Dreams” one of Fleetwood Mac’s most beloved songs.
“Heartbeat” by Taana Gardner (1981)
Heartbeat” by Taana Gardner is a beloved track within the dance music community, characterized by its pulsating Bass Line. The Bass Line, crafted by bassist Will Lee, is simple yet incredibly effective, providing a steady groove that drives the song forward. Although it did not chart on the Billboard Hot 100, its infectious rhythm made it a favorite among club-goers and DJs. The song’s appeal lies in its minimalist arrangement and the hypnotic quality of its Bass Line, which, along with Gardner’s soulful vocals, creates an unforgettable dance track.
“Ascension” by Maxwell (1996)
Maxwell’s “Ascension” features a smooth, soulful Bass Line that complements his velvety vocals. The track reached #36 on the Billboard Hot 100 and topped the R&B/Hip-Hop Songs chart, solidifying Maxwell’s place as an R&B sensation. The Bass Line, played by Wade Marcus, adds a layer of sophistication and groove, perfectly blending with the song’s lush production and Maxwell’s falsetto. The track’s modern take on classic soul and R&B elements, combined with its intimate and romantic lyrics, made “Ascension” a standout hit from Maxwell’s critically acclaimed debut album “Urban Hang Suite.”
“Walk On The Wild Side” by Lou Reed (1972)
Lou Reed’s “Walk On The Wild Side” is celebrated for its narrative lyrics and distinctive musical arrangement. The Bass Line, performed by Herbie Flowers, is notable for its dual bass technique, with one bass played conventionally and the other with a bow, creating a unique, sliding effect. This iconic Bass Line sets the tone for the song’s laid-back, jazz-inspired vibe and complements Reed’s deadpan vocal delivery. The song, which reached #16 on the Billboard Hot 100, tells the stories of various individuals living on the fringes of society, and its unorthodox structure and instrumentation made it a pioneering track in Reed’s solo career.
“Dazz” by Brick (1976)
“Dazz” by Brick combines elements of disco, jazz, and funk, with a standout Bass Line that captures the essence of the era. The track’s energetic rhythm and infectious bass groove, played by bass guitarist Ray Ransom, propelled it to #18 on the Billboard Hot 100. The term “dazz” itself is a fusion of disco and jazz, reflecting the band’s innovative blending of genres. The Bass Line, characterized by its punchy and rhythmic style, drives the track forward and showcases the band’s unique sound, making it a staple of the 1970s dance music scene.
“Glide” by Pleasure (1979)
Pleasure’s “Glide” is a hidden gem in the R&B genre, featuring a smooth and funky Bass Line by Nathaniel Phillips. While it may not have been a major commercial hit, the song’s groove resonated deeply with fans and has become a favorite among funk enthusiasts. The Bass Line’s fluid and melodic quality is a standout feature, complementing the track’s upbeat tempo and infectious energy. “Glide” exemplifies the band’s ability to blend jazz, funk, and soul elements, making it a timeless track that continues to be celebrated by fans of classic R&B and funk.
“When I Think Of You” by Janet Jackson (1986)
Janet Jackson’s “When I Think Of You” is a pop masterpiece, with a memorable Bass Line performed by Nathan East. The song’s catchy melody and infectious rhythm propelled it to #1 on the Billboard Hot 100, marking Jackson’s first chart-topping single. The Bass Line, with its upbeat and rhythmic quality, anchors the track’s dance-pop vibe and complements Jackson’s bright and youthful vocals. The song’s success helped solidify Janet Jackson’s status as a pop icon and was a key track from her breakthrough album “Control,” which showcased her emergence as a leading force in the music industry.
“Billie Jean” by Michael Jackson (1983)
“Billie Jean” is one of Michael Jackson’s most iconic tracks, featuring a legendary Bass Line by Louis Johnson. The song’s infectious groove, combined with its compelling narrative and Jackson’s mesmerizing vocal performance, helped it top the charts worldwide. The Bass Line, with its distinctive and unforgettable rhythm, is the backbone of the song and is instantly recognizable. It reached #1 on both the Billboard Hot 100 and R&B Singles charts, becoming a defining moment in pop music history. The track’s success was further bolstered by Jackson’s groundbreaking music video and live performances, including the iconic moonwalk.
“Super Freak” by Rick James (1981)
Rick James‘ “Super Freak” is a quintessential funk track, known for its funky Bass Line played by Oscar Alston. The song reached #16 on the Billboard Hot 100 and remains a defining hit of the genre. The Bass Line, with its slinky and rhythmic feel, drives the song’s energetic groove and complements James’ charismatic vocal delivery. “Super Freak” became an anthem of the early 1980s, known for its playful lyrics and infectious beat. The song’s Bass Line was later famously sampled in MC Hammer’s “U Can’t Touch This,” further cementing its place in pop culture history.
“I Want Your Love” by Chic (1978)
Another classic from Chic, “I Want Your Love,” showcases Bernard Edwards’ exceptional Bass skills. The song’s disco energy helped it reach #7 on the Billboard Hot 100. The Bass Line, characterized by its rhythmic precision and melodic depth, is a key component of the track’s lush arrangement. The interplay between the bass, Nile Rodgers’ guitar, and the orchestration creates a rich tapestry of sound that is both danceable and musically sophisticated. “I Want Your Love” exemplifies Chic’s ability to create timeless disco classics that resonate with audiences across generations.
“Take Your Time (Do It Right)” by The SOS Band (1980)
The SOS Band’s hit “Take Your Time (Do It Right)” features a memorable Bass Line by John Alexander Simpson. Its danceable groove took it to #3 on the Billboard Hot 100 and #1 on the R&B Singles chart. The Bass Line, with its syncopated rhythm and infectious hook, is a standout feature of the track, providing a solid foundation for the band’s tight instrumental performance and smooth vocals. The song’s blend of funk, R&B, and pop elements made it a crossover hit and a favorite on dance floors, helping to establish The SOS Band as a prominent group in the early 1980s music scene.
“Boogie Oogie Oogie” by A Taste of Honey (1978)
“Boogie Oogie Oogie” by A Taste of Honey is a disco classic, with a Bass Line that is both funky and danceable. The song, featuring bassist Janice-Marie Johnson, reached #1 on both the Billboard Hot 100 and R&B Singles charts. The Bass Line, with its catchy and rhythmic groove, is a defining element of the track, driving its upbeat tempo and danceable rhythm. “Boogie Oogie Oogie” became an anthem of the disco era, celebrated for its infectious energy and Johnson’s standout bass performance. The song’s success earned A Taste of Honey a Grammy Award for Best New Artist in 1979.
“Rapper’s Delight” by The Sugarhill Gang (1979)
The Sugarhill Gang’s “Rapper’s Delight” is a landmark in hip-hop history, with a Bass Line played by Chip Shearin. The track reached #36 on the Billboard Hot 100 and is credited with bringing rap music to a wider audience. The Bass Line, originally borrowed from Chic’s “Good Times,” provides a familiar and danceable groove that serves as the foundation for the group’s groundbreaking rap verses. “Rapper’s Delight” is often cited as one of the first commercially successful hip-hop songs, and its catchy Bass Line and pioneering rap delivery helped introduce the genre to mainstream audiences.
“Let It Whip” by Dazz Band (1982)
Dazz Band’s “Let It Whip” features a funky Bass Line by Michael Wiley. The song’s energetic groove and catchy chorus helped it reach #5 on the Billboard Hot 100. The Bass Line, with its driving rhythm and funky feel, is a key element of the track’s upbeat and infectious sound. “Let It Whip” became a dance floor favorite and earned the band a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1983. The song’s popularity and distinctive Bass Line have made it a lasting favorite in the funk and R&B genres.
“Flashlight” by Parliament (1978)
Parliament’s “Flashlight” is an iconic funk anthem, featuring a standout Bass Line by Bootsy Collins. The song’s futuristic sound and infectious rhythm made it a hit, reaching #16 on the Billboard Hot 100. The Bass Line, played on a synthesizer, is one of the defining features of the track, providing a deep, driving groove that underpins the song’s psychedelic funk vibe. “Flashlight” is notable for its innovative use of electronic sounds and its role in defining the P-Funk sound. The song’s energetic Bass Line and catchy hook have made it a staple of funk music and a favorite among fans.
“I Wish” by Stevie Wonder (1976)
Stevie Wonder’s “I Wish” is a joyful, funk-infused track featuring his own Bass Line. The song’s nostalgic lyrics and lively rhythm helped it top the Billboard Hot 100. The Bass Line, with its upbeat and playful groove, is a key element of the song’s infectious energy. “I Wish” reflects on the innocence and fun of childhood, with Wonder’s bass playing providing a lively and rhythmic backdrop to his soulful vocals. The track’s success and memorable Bass Line have made it one of Wonder’s signature songs, celebrated for its positive message and irresistible groove.
“Never Too Much” by Luther Vandross (1981)
Luther Vandross’ “Never Too Much” is a smooth R&B classic, with Marcus Miller’s bass playing adding depth to the track. It reached #33 on the Billboard Hot 100 and remains a beloved song in Vandross’ catalog. The Bass Line, characterized by its smooth and melodic lines, complements Vandross’ rich vocals and the song’s romantic lyrics. “Never Too Much” showcases Vandross’ vocal prowess and Miller’s masterful bass playing, creating a track that is both soulful and sophisticated. The song’s enduring popularity is a testament to its timeless appeal and the exceptional talent of its creators.
“I Like It” by DeBarge (1982)
DeBarge’s “I Like It” features a catchy Bass Line played by Eldra DeBarge. The song’s upbeat R&B sound and infectious melody took it to #2 on the Billboard Hot 100. The Bass Line, with its smooth and melodic groove, is a standout feature of the track, adding a sense of warmth and rhythm that complements the song’s romantic lyrics. “I Like It” is one of DeBarge’s signature hits, celebrated for its smooth vocals and catchy hooks. The song’s success helped establish the group as a prominent act in the early 1980s R&B scene.
“Another One Bites the Dust” by Queen (1980)
Queen’s “Another One Bites the Dust” is driven by John Deacon’s iconic Bass Line, which gives the song its distinctive groove. The track became a massive hit, reaching #1 on the Billboard Hot 100 and solidifying Queen’s place in rock history. The Bass Line, with its minimalist yet powerful rhythm, is a defining element of the song, providing a steady and driving force that underpins Freddie Mercury’s dynamic vocal performance. “Another One Bites the Dust” showcases Queen’s versatility and ability to blend rock, funk, and disco elements into a cohesive and compelling sound. The song’s success and memorable Bass Line have made it one of the band’s most enduring and beloved tracks.
These Bass Lines are more than just musical elements; they are the heartbeat of the songs, providing the foundation upon which melodies and lyrics are built. They resonate with audiences, transcending time and genre, and continue to influence music today. Whether you’re a fan of funk, rock, disco, or R&B, these iconic Bass Lines have undoubtedly left an indelible mark on the world of music.